Doctor Who: “Orphan 55”


After the strong two-part season opener, “Orphan 55” is your typical base-under-siege Doctor Who story — although this time the base is a resort, a setting that, alas, could have easily led to a lot more humorous or insightful moments than it did. Regardless, it plays out like a base under siege anyway, with security guards, military vehicles, laser rifles, people sacrificing themselves to hold off the monsters while everyone else escapes, etc. etc. etc. But even if the premise isn’t all that original, the episode does have some things going for it. The pace is quick, thanks to the story essentially being one big chase, and there’s a good amount of tension and suspense. The monsters, called Dregs, have an interesting design, although their motivations are never quite clear, which I’ll get back to later. There are a few funny bits at the beginning, such as when Ryan is suffering the aftereffects of the hopper virus, or when Graham reveals that his idea of a nice vacation is to just sit somewhere for three hours. Ryan gets a love interest, which sparked some weird feelings in me when I realized I had been subconsciously shipping Ryan and Yaz. Why do I want them to get together? I have no idea. Maybe because it would make them both more interesting? Anyway, the episode is enjoyable, and though you can tell it was made on a smidgen of a budget, it looks really good. It’s only a shame the ending is so terrible.

The finale relies a lot on coincidences and things happening solely for the sake of the plot. Once the Doctor and the other survivors get back to Tranquility Spa, they discover the monsters are coming for them and there’s no way out. Their only hope is to use a certain kind of fuel to power the one remaining teleportation device, but they don’t have that fuel, they only have a different fuel. Except the Doctor announces that the fuel they have can be transformed into the very fuel they so desperately need thanks to the hopper virus she just happens to have extracted from Ryan and is still carrying around in a potato chip bag. How lucky!

I have a lot of issues with the Dregs. Why do they keep Benni alive but kill everyone else immediately? Why are they attacking the resort in the first place? Why does that one bit of land matter to them? If they’ve existed for generations and exhale pure oxygen, why isn’t there more oxygen in the atmosphere by now, especially if there’s nothing else around that’s sucking it up? Why did the Alpha Dreg not only allow the Doctor and Bella to talk their way out of the room they were locked in with it, but also willingly walk into the cage and close the door? Well, that one I can answer: Because it was what the plot needed, not because it made any sense. How the hell did Kane, who was attacked by the Dregs, survive and make it all the way back to Tranquility Spa completely unharmed in order to help her estranged daughter fight off the monsters? Same answer. After an exciting base-under-siege setup, the finale’s writing was frustratingly lazy.

Oh, and also, the ruined and toxic planet Orphan 55, on which Tranquility Spa is built, is actually the far-future Earth and the Dregs are our mutated descendants. Is that necessary to the story? No, it exists pretty much just to be a big twist. Too bad we’ve seen it before in everything from The Planet of the Apes to the 1986 Sixth Doctor serial “The Mysterious Planet,” which just so happens to utilize the exact same method of revealing that the planet is Earth: they find a subway sign!

And then there’s the end. Hoo boy. So the Doctor and her companions are teleported safely back to the TARDIS, where they ask her if it was really Earth and how that could be, and then for a good couple of minutes the Doctor lectures her companions on how important it is for humans to listen to scientists’ warnings about global warming! Look, I’m as concerned about global warming and climate change as anyone else, but someone needs to tell Ed Hime, who wrote this episode, that at some point you have to trust your audience to get the message without the main character lecturing about it at the end. (Even Hitchcock knew that the scene tacked onto the end of Psycho, in which the psychologist explains everything that came before, was terrible and unnecessary, but the studio insisted.)

Ugh. Really, “Orphan 55” isn’t a bad story, but the finale left such a bad taste in my mouth, from the lazy writing to the lecturing, that it colors the whole episode for me.

And now for a bit of Doctor Who neepery! Aside from the (possibly intentional?) callback to “The Mysterious Planet” that I mentioned earlier, there are also similarities here to the monsters featured in the 1989 Seventh Doctor serial “The Curse of Fenric.” Those were the Haemovores, mutated, vampire-like humans from half a million years in the future who were the evolutionary result of humanity living with excessive pollution. At one point, the Doctor tells her companions, “When I say run, run,” which is something the Second Doctor said quite often.

Next week, the Doctor meets Nikola Tesla and what appear to be some giant alien scorpions!

Originally published at Nicholas Kaufmann. You can comment here or there.


Doctor Who: “Spyfall, Part 2”


The second part of “Spyfall,” the two-part season 12 opener, is just as exciting as the first! In particular, there are two aspects of it I really enjoyed. The first is the Master chasing the Doctor through two separate time periods, 1834 and 1943, and the second is the introduction of the Doctor’s temporary companions, the real-life historical figures Ada Lovelace and Noor Inayat Khan. They make such a good, enjoyable team that when the three of them return to the present day, Graham asks what I was already wondering: “Are we being replaced?” (No disrespect to Graham, but I would have been a-okay with that!) Of course, the memories of their adventure with the Doctor have to be erased at the end so that time can take its proper course, but I seriously wouldn’t mind seeing them again at some point. There was instant chemistry between all three of them, and Sylvie Briggs and Aurora Marion managed to bring an enormous amount of life to characters who ultimately only have a few scenes.

There’s a quiet moment when Graham, Ryan, and Yaz are resting while on the run from Daniel Barton and the police that I quite liked, too, especially because it’s the moment where it sinks in that none of them really know anything about the Doctor. It’s a scene that really should have happened last season, but I’m glad it’s finally here. I was also happy to see, at the end of the episode, that the companions confront the Doctor with their questions. Longtime readers of this blog know I’ve been dying for this new Doctor to talk about herself in a way that isn’t just a throwaway joke, and it looks like we’re finally going to get that. (Maybe Chris Chibnall reads my blog? Okay, probably not, but a man can dream!)

There’s a funny moment where the Doctor once again forgets she’s a woman now and calls herself the “Marvelous Apparating Man” before correcting it to “Marvelous Apparating Lady,” followed by a mutter of, “Every time…”

I have no real gripes, but there are a couple of parts I thought fell flatter than the rest of the episode. There’s a little bit of Bill & Ted’s Excellent Adventure at the end when the Doctor goes back in time to put several important things in place for when they will be needed, such as the sabotaging of the Silver Lady device that was helping the extradimensional Kasaavin come through, and setting up the way Graham, Ryan, and Yaz survive the crashing airplane. Also, the Master and Daniel Barton’s plan involving the Kasaavin didn’t make a whole lot of sense. Something about rewriting human DNA and turning people into supercomputers. It all felt rather handwavy, as though Chris Chibnall, who wrote both episodes, realized he needed a good reason for the alliance and threw together a “humanity is in danger” plot. I thought it was much scarier when the Kasaavin say they want to take our universe for themselves, perhaps creating some kind of interdimensional empire, although that’s thwarted, too, by some technobabble at the end. It’s not a very compelling climax to an otherwise exciting two-parter, but since the Doctor often resolves things with smarts instead of violence, or at least usually tries to, I’ve grown used to climaxes that rely on a lot of button-pressing and quickly delivered pseudoscience.

For all the excitement, this episode is 100% about the Master and the Doctor, and it’s in their scenes together that it really shines. Particularly their conversation atop the Eiffel Tower, which really did feel like two old friends talking, and that wallop of an ending, where the Master reveals he has razed Gallifrey in revenge after discovering everything he and the Doctor were taught about their civilization was a lie. It has something to do with the Timeless Child, which was first mentioned back in season 11’s “The Ghost Monument,” and which I was worried would be completely forgotten about. (I think I still have a little PTSD from the Steven Moffat era, in which plotlines were frequently raised and then dropped just as quickly. Remember when the Doctor was going around removing himself from databases all over the universe, usually between episodes, but it went nowhere and came to nothing? Or when the Doctor learned Gallifrey was saved after the events of “The Day of the Doctor” and vowed to go find it, but then spent the whole next season not bothering to? But I digress.) Anyway, I’m excited to see where this leads. Although Gallifrey is in ruins, I suspect this isn’t quite like the Time War and there will be Time Lords out there who still survived and whom we may run into down the road. (Bring back Leela and Andred, you cowards!)

And now for some Doctor Who neepery, and for a change this episode if chock full of it! There’s a lot of talk about regeneration, as Graham, Ryan, and Yaz discuss what they do and don’t know about the Doctor. When the Doctor wants to get the Master’s attention in 1943, she taps out a quick succession of four beats on the Morse code machine. She calls it the “heartbeat of a Time Lord,” which harkens all the way back to season 3’s “The Sound of Drums” and season 4’s “The End of Time.” The Doctor and the Master speak through telepathy, using the word “contact” just like the Doctors did with their other selves in 1973’s “The Three Doctors” and 1983’s “The Five Doctors.” (Time Lords are telepathic, mostly just with each other, which is how they’re able to recognize each other despite regenerating into new bodies. However, it seems the Master learned long ago to shield his mind from the Doctor, since the Doctor didn’t immediately recognize him as either Missy or O.) There’s a discussion between the Master and the Doctor while they’re on top of the Eiffel Tower that seems to be a callback to the events of “Logopolis,” where the Master caused the Fourth Doctor to fall off a radio telescope and regenerate. Except the Doctor accidentally calls the radio telescope “Jodrell Bank,” which is the telescope the miniatures for “Logopolis” were based on. The actual events of “Logopolis” took place at the fictional Pharos Project. A simple mistake, or a missing adventure? We may never know for sure, although the dialogue (“Did I ever apologize for that?” “No.” “Good.”) seems to point toward an erroneous reference to “Logopolis.” We get a mention of Gallifrey “hiding in its little bubble universe,” which is a reference to the end of 2013’s “The Day of the Doctor,” and of course the Doctor finally telling her companions that she’s a Time Lord from the planet Gallifrey in the constellation of Kasterborous, and that she stole the TARDIS and ran away. This era of Doctor Who finally doesn’t feel so separate from the rest anymore.

The next episode looks like a standalone rather than a continuation of this story arc, but something tells me we haven’t seen the last of the Master, which is good because 1) Sacha Dhawan is doing a great job in the role, and 2) I’d really like some answers. The implication seems to be that this is a post-Missy incarnation (his asking if he ever apologized for Jodrell Bank could be seen as a reference to when Missy wanted to make up for all the evil she caused), but it’s disturbing how quickly he seems to have undone all the hard work he did as Missy toward redemption in season 10. Also, Missy wasn’t supposed to be able to regenerate after she was stabbed, and if I recall her body was still on that Mondasian ship that the Cybermen were crawling all over. I want to know what happened!

Originally published at Nicholas Kaufmann. You can comment here or there.


Doctor Who: “Spyfall, Part 1”


After an interminable wait of more than a year since the end of season 11 (and exactly one year since the New Year’s special “Resolution”), Doctor Who‘s twelfth season is finally here. I was excited for it, but also trepidatious. Season 11 was a mixed bag, more so than usual for this show. There were a few great episodes like “Rosa” and “Demons of the Punjab,” but far more of them were mediocre or outright unsatisfying like “Arachnids in the U.K.,” “The Tsuranga Conundrum,” and “It Takes You Away.” Also, until a Dalek showed up in “Resolution,” season 11 felt strangely separate from the 50+ years of continuity that had come before. So I wondered, nervously, what season 12 would bring us.

Well, if “Spyfall, Part 1” is any indication, season 12 will be a big, big step up. The episode is an enjoyable, fast-paced adventure full of action, scares, mysterious aliens, humor, and multiple setups for what will presumably follow. I loved seeing Stephen Fry as C, the head of MI6, and the James Bond spoofs were a delight, from the music as the Doctor and her companions approach Daniel Barton’s mansion to sneak into his casino party, to the Doctor not knowing how to play cards. (On a side note, I hope the Doctor continues to wear that tuxedo for the rest of the season, because she looked incredible. I don’t mean to be reductive, but it definitely added fuel to the fire of my inappropriate celebrity crush on Jodie Whitaker!)

Of the companions, Graham continues to amuse me (“Worst Uber ever!”). I was pleased to see Yaz show a little more emotional depth in this episode, particularly the way she reacts to almost dying, and I think I might be starting to ship Yaz and Ryan (even though Yaz’s sister keeps asking for his phone number). Ryan’s freakout about not looking enough like Hugh Jackman to give himself the fake name Logan was hilarious and helped remind me why he’s more than just Graham’s grandson. Unfortunately, the Doctor herself remains a sketch of Doctorish behavior and humor. I’m desperate for a scene where she opens up about herself in a way that’s meant to be serious instead of funny. As much as I love Jodie Whitaker, I need more from her Doctor than we’ve been getting.

Sascha Dhawan’s O, a former MI6 agent and friend of the Doctor’s, is an incredible character. I liked him from the start, which meant I assumed he was going to die by the end of the episode. I was wrong about that, because the episode ends with a big, unexpected reveal. O is actually the Master in disguise! I reacted simultaneously with “Cool!” and “What? How is that possible?” We’ll have to wait and see how this incarnation of the Master came into being, whether he is pre- or post-Missy, though either explanation will come with its share of wrinkles that’ll need to be ironed out.

After the big reveal and the excellent cliffhanger, I’m more excited for the next episode of Doctor Who than I have been in a while. Luckily, I won’t have to wait long for “Spyfall, Part 2,” which as of this writing airs tomorrow!

And now for some Doctor Who neepery! Let me get my disappointment out of the way first. There was a big missed opportunity for a serious continuity deep-dive at O’s remote Outback house, which is supposed to be stocked with remnants and artifacts from previous alien invasions of Earth. Would it have killed them to show a few things, like maybe a Cyberman helmet, or a Sontaran wand gun, or the plastic gun hand of an Auton? It felt like such a wasted opportunity. Same with O’s files on the Doctor. How great would it have been to see Graham flip through some photographs with mounting surprise as he sees pictures of Tom Baker, Jon Pertwee, Sylvester McCoy, David Tennant, etc.? I know it would be fan service, but I’m a fan and sometimes I want to be serviced! (Okay, that came out weird, but hopefully you know what I mean.)

But it’s not all missed opportunities. The Master has his Tissue Compression Eliminator again, the weird weapon that doesn’t just kill his victims but shrinks their bodies down to doll size! I don’t think he has used his TCE at all in the revival series, but it was his weapon of choice during the classic series and I was happy to see it again. The Master also calls himself the Doctor’s “best enemy,” which are the words the Third Doctor used to describe him in the 1983 20th anniversary special “The Five Doctors.” There’s a brief mention of UNIT and Torchwood, both of which are apparently gone now due to the budget cuts mentioned last season. And of course, the episode was dedicated to the memory of the “masterful Terrance Dicks,” longtime writer and script editor of classic Doctor Who, who, along with Robert Holmes, helped create the Master back in 1971.

Originally published at Nicholas Kaufmann. You can comment here or there.


The Naming of the Books 2019

Presenting a list of all the books I read in 2019! This year the number totals 24. I used the same rules for this list that I always do: I count collections and anthologies, but not individual stories; I count graphic novels and trade comics collections, but not individual comic book issues; and I don’t count magazines, only books. So here are the books I read this year, presented in the order in which I read them:

The Isle by John Foster
Rat Queens, Vol. 2: The Far-Reaching Tentacles of N’rygoth by Kurtis J. Wiebe
Rat Queens, Vol. 3: Demons by Kurtis J. Wiebe
Rat Queens, Vol. 4: High Fantasies by Kurtis J. Wiebe
Rat Queens, Vol. 5: The Colossal Magic Nothing by Kurtis J. Wiebe
Nothing is Everything by Simon Strantzas
Behind Her Eyes by Sarah Pinborough
Lovecraft: Four Classic Horror Stories by I.N.J. Culbard
The Twilight Pariah by Jeffrey Ford
The Migration by Helen Marshall
Wolf in White Van by John Darnielle
The Clockworm and Other Strange Stories by Karen Heuler
Scary Stories to Tell in the Dark by Alvin Schwartz
More Scary Stories to Tell in the Dark by Alvin Schwartz
Scary Stories 3: More Tales to Chill Your Bones by Alvin Schwartz
X’s For Eyes by Laird Barron
Rat Queens, Vol. 6: The Infernal Path by Kurtis J. Wiebe
My Best Friend’s Exorcism by Grady Hendrix
The Last Astronaut by David Wellington
Growing Things and Other Stories by Paul Tremblay
The Glittering World by Robert Levy
A Hawk in the Woods by Carrie Laben
The Stand by Stephen King
Home for the Holidays by Randee Dawn

There you have it, the books I read in 2019! Here’s looking forward to another book-filled year in 2020!

Originally published at Nicholas Kaufmann. You can comment here or there.


Home for the Holidays

Home for the HolidaysHome for the Holidays by Randee Dawn
My rating: 5 of 5 stars

This slim volume acts as a highly enjoyable sampler of author and journalist Randee Dawn’s prose and poetry. There’s something for everyone in the six stories in HOME FOR THE HOLIDAYS, which run the gamut from horror to a Jane Austenish comedy of manners to a deeply emotional autobiographical vignette. My favorite story in the bunch is “Trap Doors,” a somewhat surreal, Robert Aickmanesque “strange story” about the holes in our lives, some left behind by absent friends, some offering a place to hide, and some as invasive as surgery. I was also fond of the title story, a tale of ironic comeuppance right out of EC Comics in which two neighbors angrily and obsessively try to outdo each other’s Christmas decorations every year. Dawn’s poetry is accomplished as well, with eight selections rounding out the volume. HOME FOR THE HOLIDAYS is recommended for anyone looking for a new and versatile author to read. Meanwhile, I eagerly await Dawn’s next publication.

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Originally published at Nicholas Kaufmann. You can comment here or there.


The Stand

The StandThe Stand by Stephen King
My rating: 5 of 5 stars

What an incredible achievement! I can see why THE STAND is a favorite for many Stephen King fans. As with his other lengthy masterpiece IT, the strength here is in the characters as much as anything else. There are many, many characters in THE STAND, some more memorable than others, but all of them interesting. I think the two I was most fascinated by were Harold Lauder and Nadine Cross. I don’t want to spoil anything for those of you who might not have read THE STAND yet, but these two characters have such memorably tragic arcs, half due to their own bad decisions and half due to simple, ugly destiny, that they really stuck out for me. Of course, I loved Stu and Glen and Frannie, too! (My feelings about Larry Underwood are more complicated, although he certainly proved himself to be a better person by the end.)

I even had some sympathy for poor old Trashcan Man, and that’s something that speaks to the strength of King’s abilities as a writer. He populates Randall Flagg’s Las Vegas not just with madmen and criminals, as you might imagine a stronghold of evil to be, but with lots of characters who are worthy of sympathy, even more than Trashcan Man is. King seems to be saying that even decent people can make the wrong choice or be caught up in the grinding wheels of fate. If there’s one sin the denizens of Las Vegas might share, however, it’s cowardice, as even those who have a moral compass and know Flagg is a monster are too scared to do anything about it, and so they blindly follow his orders, swallowing their consciences one bit at a time.

As riveted as I was by the novel in general, a section in the middle dragged for me, the part when Stu and the others are setting up committees and a rudimentary governmental system for the Free Zone. But even that has an important role to play later, and one could say THE STAND is really far more about the journey than the destination.

The edition I read was the original Signet paperback from 1980, so old and well-loved that its cover is held together with Scotch tape at this point, but I loved the novel enough that I think someday I might check out the “complete and uncut” edition that came out in 1990. I certainly wouldn’t mind spending time with these characters again.

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Originally published at Nicholas Kaufmann. You can comment here or there.


The Scariest Part: Ray Clark Talks About IMPURITY

This week on The Scariest Part, I’m pleased to welcome back Ray Clark, whose newest book is the re-release of Impurity, the first novel in the continuing DI Gardener series. Here is the publisher’s description:

A murder with no weapon or motive. A detective on edge. A community that wants answers.

One fateful night when off duty, DI Stewart Gardener intervenes in a street brawl and his wife is shot dead.

Trying to come to terms with this, he gradually returns to normal duties policing the streets of Leeds. Finding his wife’s murderer is never far from his mind, but with no leads and a hazy recollection of events, it seems hopeless.

Soon he is presented with a shocking case. A man is found dead in a grubby apartment, having been killed in the cruellest of ways. It is not long before another man meets the same fate.

The deaths are caused by a rapid and violent disintegration of the victims’ flesh. Pathology cannot ascertain the cause.

The only connection between the victims is they both worked seasonally as Santas, dressing up as Father Christmas and entertaining kids in grottos and such like. Who would want to kill such innocuous men as these?

The detective is flummoxed. The local community is ruffled. The press is having a field day. The top brass wants answers. Can DI Gardener overcome his grief and solve the case?

And now, let’s hear what the scariest part was for Ray Clark:

“Is your book scary?” she asked me, and before I’d had time to think about the answer, she said, “It looks it.”

And then came the next question: “Tell me,” she said, leaning forward, “what’s the scariest part?”

As I was desperately trying to think of an answer, I suddenly thought, being asked that question is — unless you count seeing the rejection slip landing in the morning post (or should I say your inbox nowadays).

When I think back to the time I spent researching Impurity, it came down to one clinical point: harbouring a very dark secret for many years, and then being found out.

Imagine living in constant fear of it: looking over your shoulder every day, spending your spare time in a guilt ridden slumber, working with people who think they know you, when all along, they wouldn’t give you the time of day if they knew the truth. You were doing wrong and you knew you were, but you couldn’t stop yourself; knowing that the past will eventually catch up with you, and when it does it won’t be very nice: because you’ll either be facing the person you wronged — or the police!

That is very much what happens in Impurity. When Detective Inspector Stewart Gardener investigates the discovery of a body in a run-down Victorian property in a suburb of Leeds, he knows he’s in for a tough time: ashen faced police constables testify to that.

Nothing could have prepared him for what lay ahead.

The corpse of a seasonal worker living in very tatty conditions is bad enough, but someone has gone to great length to eradicate them by administering a flesh-consuming drug, resulting in the victim’s rapid and violent disintegration. Furthermore, pathology is unable to ascertain the cause. As the novel progresses you realize the scariest part concerns the victim: he’s still alive whilst it’s happening, and fully aware of the effect it’s having on his body, because it’s already been explained to him.

The really frightening thing for me however, is that after having spent considerable time with a chemist, I came to the conclusion that it might just be possible to achieve what the book is offering.

Now that is the scariest part!

Impurity: Amazon / Amazon UK

Ray Clark: Website / Facebook / Twitter / Amazon UK Author Page

Ray Clark is an award winning Yorkshire born author whose first big break came in 1998 with the publication of Manitou Man: The World of Graham Masterton (a biographical account of the author’s work), which was nominated for both the World and British Fantasy Awards. Since then, Ray’s writing career has been quite varied with publications covering short story collections (A Devil’s Dozen & A Detective’s Dozen), horror novels (Calix & Resurrection), stand-alone cross genre novels (Seven Secrets), and the highly acclaimed IMP series, featuring detectives Gardener and Reilly in the Yorkshire city of Leeds. Over the last forty years, Ray has also spent considerable time in the music industry working both in the UK and Europe as a guitar vocalist, and with a number of bands. These days, Ray divides his time between writing books and working live on the music scene, and helping to raise money for the OPA, a charity he feels quite close to. Ray’s London publisher, The Book Folks, are planning to release Book 2 in the IMP series, Imperfection, in time for Christmas.

Originally published at Nicholas Kaufmann. You can comment here or there.


“The Child Foretold” On Sale Now!

Good news, Warhammer fans! My Warhammer Horror original short story, “The Child Foretold,” is available as a standalone e-book as part of the 2019 Black Library Advent Calendar, in which a new story is released every day in December! (“The Child Foretold” should also be included in the forthcoming Warhammer Horror anthology Anathemas in March, but more on that later.) Here’s the publisher’s description:

On the agri world of Ballard’s Run, an invasive alien weed is killing the crops and blighting the farmers who have dedicated their lives to working the land. Kavel is one such labourer. A former member of the planet’s militia, he lost his family fighting the orks a decade ago. Now the so-called ‘warrior weed’ threatens to take all that he has left. But fate has other plans for him… A chance encounter with a wounded woman sets him on a collision course with a group that plans to bring destruction to Ballard’s Run — and nothing will stand in their way.

I’m psyched about this one! If you’re a fan of my work, I think you’ll enjoy it even if you don’t know anything about the Warhammer universe. You can buy “The Child Foretold” e-book right now from Amazon or directly from Black Library!

Originally published at Nicholas Kaufmann. You can comment here or there.


2019 Awards Eligibility Post

I have two short stories that are eligible for awards consideration this year:

  1. “Coriander for the Hidden” – published in Interzone #280, March-April 2019, fantasy, 5400 words.
  2. “Spawning Season” – published in the audio-only anthology Come Join Us By the Fire (Tor/Nightfire), edited by Theresa DeLucci,  October 2019, horror/weird fiction, 2600 words (if that matters for audio).

If you’re interested in reading either of them for awards consideration, please email me at nick DOT kaufmann AT gmail DOT com. Or you can listen to “Spawning Season” for free here. Many thanks!

Originally published at Nicholas Kaufmann. You can comment here or there.


Rave Review of 100 FATHOMS BELOW in Rue Morgue!

I’m deeply grateful for Monica S. Kuebler’s rave review of 100 Fathoms Below in the November/December issue of Rue Morgue. Here’s a pull-quote:

100 Fathoms Below is great, doing for submarines what Jaws did for sharks and water….The novel succeeds not just for its bloodsuckers, but for its absolutely claustrophobic setting and storytelling….Don’t be surprised if you never want to set foot on a submarine after reading this book.

Don’t forget, 100 FATHOM BELOW is out in paperback now!

Originally published at Nicholas Kaufmann. You can comment here or there.